Wednesday, June 15, 2011

Trumpeter EVAN WEISS creates MATH OR MAGIC


Composer/trumpeter EVAN WEISS
His Debut CD on Greg Osby's Inner Circle Music Label

Chamber Music For Fans of Modern Composition, Neo-Classical, Jazz and Beyond

What the press is saying about MATH OR MAGIC:

“…one of the leading lights for the big bands of tomorrow to look up to. Clearly a case of auspicious beginnings, if he does nothing more than run at this speed, he’ll always be finishing first. Hot stuff.”
-- Midwest Record

“A very impressive debut recording from trumperter composer Evan Weiss. He’s got a gorgeously sweet tone, sanded around the edges just right…”

“****…the young composer blends minimalism, neo-classical, jazz and chamber music into a unified whole which has many interlocking parts, conjoined thematic units and associated layers.”
-- Audiophile Audition

“Beautiful strings, vocal intrigues, piano wonderment and spell-weaving that just won’t let you disengage once you start listening to it.”
-- Dick Metcalf/Zzaj Productions

Evan Weiss was born and raised near Seattle, Washington and now back in North Texas after a year in NYC. In addition to playing the trumpet, much of his childhood was spent hiking and camping in the mountains of the Pacific Northwest. While composing and improvising at an early age, he recognized the value of nature as a source for limitless inspiration. His daring and innovative debut recording MATH OR MAGIC on Greg Osby's Inner Circle Music label, touches on the organic and complex interconnections between the creative, the intellectual and the spiritual elements in Weiss's emerging palette.

Although he is well versed in bebop and swing, Evan’s improvisations are a departure from the traditional jazz solo. He is part of a new wave of musicians who seek an intensely personal approach to music. In the spirit of his jazz predecessors, Evan seeks to help the music evolve and grow for generations to come.

Evan’s debut album Math or Magic features voice, strings, woodwinds, symphonic percussion, and cinematic sound effects to send the listener through a mesmerizing array of musical environments. This project displays a sense of maturity and compositional unity that is very rare among musicians of such a young age.

Check out the interview with Evan at

EVAN WEISS - Math Or Magic - Inner Circle Music INCM 018

Available on iTUNES and at the following websites...

For media information & press kits please contact Brad Riesau of ROLLING THUNDER PR - or 909-744-0704



The Zubatto Syndicate, a 12-piece ensemble under the direction of composer and guitarist Andrew Boscardin, has released its self-titled debut recording as a digital download, CD, and limited-edition vinyl double LP, featuring distinctive artwork by noted science-fiction artist Franco Brambilla.

Drawing sounds from rock, hip-hop, funk, soul and Brazilian music, Zubatto Syndicate is a highly original take on the Big Band jazz tradition. Seeking to find the musical place where Maria Schneider meets the Mahavishnu Orchestra, and the Roots meet Radiohead by way of Mingus, Zubatto combines detailed arrangements and inventive harmonic ideas with rhythmic settings and idioms atypical of the jazz orchestra, as realized by the some of the top improvising musicians in Seattle.

The recording was made with the support of the American Music Centerʼs CAP Recording Program, made possible by endowment funds from the Mary Flagler Cary Charitable Trust, as well as through the funds raised with the micro-patronage website

The fusing together of disparate sounds and ideas – pop and jazz, combining orchestral winds with electric sounds, the new and the traditional – is a central theme for the band, in the music as well as the nods to classic Science Fiction in the song titles and the album artwork. “Science fiction imagery was part of the concept of the band and music from the very beginning,” says Boscardin. “Even before writing a note of music, I wanted to use classic science fiction art from the 50’s for posters, and promotional materials and started collecting as many vintage magazines as I could get my hands on. The idea of a modern or forward-thinking Big Band, to me, conjured up the same tension between seemingly contradictory elements as vintage science fiction artwork. One embodies something new harkening back in time to a rich tradition and pulling those associations forward to now. The other is something old and often kitschy reaching forward in time to an imaginary future. It was that idea that appealed to me – to create something that was as “out of time” as that artwork. The group name itself, was intended to sound futuristic and mysterious in a campy fashion. We all know that words that start with ‘Z’ are automatically futuristic.”

Even the instrumentation of the band reflects this idea, with the more traditional Big Band instruments like saxophones and brass being joined by orchestral woodwinds from one end of the spectrum and an electric rhythm section from the other. “I wanted a group that provided a big palette and lots of textures but that was still nimble and rocks like a band one-third its size. If there is a Big Band equivalent of the Led Zeppelin maxim ‘Tight But Loose,’ that’s the idea for Zubatto. We’re still a chamber group or bar band, just a relatively big one with a bassoon.”

The music itself covers a wide range of ideas and styles. There’s the sounds and structure of punk and metal in “Mechas Over Manhattan,” a swaggering hip-hop groove under the woodwind and synth textures of “A Brief History of Time Travel,” a dancing Brazilian samba powers “Saturn 9,” a lazy blues shuffle swings through “The Trouble With Earth Women” and a chunky guitar rock riff combines with a horn fanfare for “Lords and Ladies of Venus.” All of these different ideas are unified by the unique sound of the band and its instrumentation and the voice of Boscardin’s compositions.

In today’s economic climate, the musical, monetary and logistical challenges encountered in presenting daring and ambitious large scale musical projects is at times, a daunting task. Andrew Boscardin has embraced this formidable process and created an artistic statement with the Zubatto Syndicate that will impress, inspire, and illuminate fans of profound and celebratory musical vision.

The new ZUBATTO SYNDICATE release features

Andrew Boscardin: guitar / Janet Putnam: oboe and English horn / Jesse Canterbury: clarinets / Greg Sinibaldi: bass clarinet and tenor saxophone / Francine Peterson: bassoon / Mark Taylor: alto saxophone / Jim DeJoie: baritone sax and bass clarinet / Chad McCullough: trumpet / David Marriott, Jr: trombone / Mack Grout: keys / Tim Carey: electric bass / Byron Vannoy: drums.

The album is available directly from the band at, as well as from CD Baby, iTunes, and other online and retail outlets.

For media info, interviews, jpgs please contact Brad Riesau at Rolling Thunder PR (p) 909-744-0704 (e)


What the press is saying about Zubatto Syndicate:

"A big band unafraid to foray into the modern pop idiom."

- Jonathan Zwickel, Seattle Times (Jul 16, 2010)

"The Seattle music scene is known for many genres of music, most notably grunge, indie-rock, and hip-hop. Zubatto Syndicate gives Seattle a good reason to add big band jazz to this list. Whether youʼre a jazz novice or enthusiast, Zubatto Syndicateʼs mass musical influence and improv talent will get you dancing and appreciating this local twist on traditional big band jazz."

- Suzi Pratt, Seattle Show Gal (Apr 12, 2010)

"Music that's solid and involving. On guitarist/leader Andrew Boscardin's

compositions—which lay down intricate patterns and odd-hued harmonies—the band delivered some great soloing, especially from alto player Clark Gibson. This is a band that deserves a hearing."

- Mark D. Fefer, Seattle Weekly (Apr 14, 2010)

"It's really up-tempo. It's not the kind of thing you're going to want to listen to sitting down and watching. (Not) a sleepy jazz show where you sit down and have your drinks."

- Hugo Kugiya, The Seattle Times (Apr 13, 2010)

"Big band the way youʼve never heard it before. Go so you can tell all the Johnny-come-latelies you heard it first. Editor's Pick"

- Brangien Davis, Seattle Magazine (Oct 30, 2009)

"If you feel like dancing to Zubatto Syndicate, it'll be because you can't resist a snaky bass riff. In fact, if all goes well, you'll want to drop your pants. Boscardin's arrangements unfold in surprising ways... The solos are uncharted territory."

- Michael Baker, The SunBreak (Oct 19, 2009)